About Bridget
"...Once she applied her fingers to her large concert harp, it was clear that she was a formidable musician, fluent in the 'modes, colors, and drones' within music that carries the weight of history.”
Extraordinary harpist Bridget Kibbey is in demand for her virtuosic and soulful performances that transcend her instrument. At ease crossing classical, global, and jazz genres, Kibbey dives deep into historic narratives —from the baroque, to the French Belle Époque to Persian Modes, to Nuevo Latino traditions and beyond – while resonating within the vanguard of the new.
Through it all, Kibbey is illuminating the powerful expressive range of the concert harp to new audiences worldwide! Her chameleon tendencies at the harp — and love for producing her own touring projects — find her performing with a growing rolodex of curation-meets-performance appearances.
Announcing Kibbey’s newest solo recording, releasing October 13th with Pentatone Records, Crossing the Ocean. Kibbey asked six composers from six countries to write for the harp, based on the music they grew up hearing. The result? A set of cultural snapshots that delve into origin stories and preserving the past while moving forward into a new life in the United States. Soprano Dawn Upshaw is a special guest.
Kibbey recently made her solo NPR Tiny Desk Debut, is a winner of a prestigious Avery Fisher Career Grant, a Salon de Virtuosi SONY Recording Grant, the only harpist to win a place in the Chamber Music Society of Lincoln Center’s Bowers Program, Premiere Prix at the Journées de les Harpes Competition in Arles, France, among others. She has recorded with a rolodex of cross-genre musicians, from luminaries Placido Domingo, Dawn Upshaw, Kathleen Battle and Gustavo Santaollalo for SONY Records and Deutsche Grammophon; and, her own solo debut album, Love is Come Again, was named one of the Top Ten Releases by Time Out New York. Ms. Kibbey's solo performances have been broadcast on NPR's Performance Today, New York's WQXR, WNYC's Soundcheck, WETA’s Front Row Washington, WRTI’s Crossover, and on television in A&E's Breakfast with the Arts.
This season’s highlights include appearances as soloist at Toronto’s Koerner Hall, Dumbarton Oaks, Caramoor, Music@Menlo, Festival Napa Valley, the VIVO Festival, Saratoga PAC, Alice Tully Hall with Artists of the Chamber Music Society of Lincoln Center, as well as appearing as concerto soloist for 40,000 attendees at “Madison’s Concerts at the Capitol” premiering her own transcription of Rodrigo’s Concierto Aranjuez with the Wisconsin Chamber Orchestra. She presents a newly-commissioned concerto by Brazilian composer Joao Luiz Rezende, exploring the sounds of Carnaval on the harp, and tours projects of her own creation, merging her own solo transcriptions alongside powerful collaborations: The Sacred in the Profane, exploring French Masterworks of the Belle Époque alongside the famed Calidore String Quartet; and Leyenda, celebrating Nuevo Latino Voices alongside Latin-Grammy winning percussionist/composer Samuel Torres and acclaimed clarinetist Ismail Lumanovski.
Kibbey was the 2022/23 Artist in Focus at the Schubert Club in Minneapolis, Minnesota, bringing three programs of her own creation to the city, to great critical acclaim. She crafted a baroque program with violinist Alexi Kenney, a French program with Calidore Quartet, and a program tracking music of the Islamic Golden Era alongside Iranian Singer Mahsa Vahdat and percussionist John Hadfield. Over the last few seasons, Kibbey toured her own adaptations of keyboard Concerti and Sonatas of J.S. Bach with the Dover Quartet, and in duo with mandolinist Avi Avital. She has commissioned new harp concerti from Vivian Fung and João Luiz; and in 2026, launches performances of the Clarice Assad Harp Concerto with multiple orchestras.
Kibbey appears frequently as soloist and chamber musician at festivals and series across the globe, including Schloss Elmau, Pelotas Festival, Lincoln Center’s Mostly Mozart, La Jolla Music Society, International Festival d’Avesnois, Aspen, Bravo!Vail, Santa Fe, Spoleto, Big Ears Knoxville, Chamber Music Northwest, Bridgehampton, Savannah Music Festival, The Phillips Collection, Philadelphia Chamber Music Society, The Cliburn, and Music@Menlo, Chamber Music Columbus, Calgary Pro Musicis, Chattanooga’s String Theory, among others. Kibbey has appeared as concerto soloist with orchestras in the United States, Europe, South America, and Middle East.
"...Once she applied her fingers to her large concert harp, it was clear that she was a formidable musician, fluent in the 'modes, colors, and drones' within music that carries the weight of history.”
Extraordinary harpist Bridget Kibbey is in demand for her virtuosic and soulful performances that transcend her instrument. At ease crossing classical, global, and jazz genres, Kibbey dives deep into historic narratives —from the baroque, to the French Belle Époque to Persian Modes, to Nuevo Latino traditions and beyond – while resonating within the vanguard of the new.
Through it all, Kibbey is illuminating the powerful expressive range of the concert harp to new audiences worldwide! Her chameleon tendencies at the harp — and love for producing her own touring projects — find her performing with a growing rolodex of curation-meets-performance appearances.
Announcing Kibbey’s newest solo recording, releasing October 13th with Pentatone Records, Crossing the Ocean. Kibbey asked six composers from six countries to write for the harp, based on the music they grew up hearing. The result? A set of cultural snapshots that delve into origin stories and preserving the past while moving forward into a new life in the United States. Soprano Dawn Upshaw is a special guest.
Kibbey recently made her solo NPR Tiny Desk Debut, is a winner of a prestigious Avery Fisher Career Grant, a Salon de Virtuosi SONY Recording Grant, the only harpist to win a place in the Chamber Music Society of Lincoln Center’s Bowers Program, Premiere Prix at the Journées de les Harpes Competition in Arles, France, among others. She has recorded with a rolodex of cross-genre musicians, from luminaries Placido Domingo, Dawn Upshaw, Kathleen Battle and Gustavo Santaollalo for SONY Records and Deutsche Grammophon; and, her own solo debut album, Love is Come Again, was named one of the Top Ten Releases by Time Out New York. Ms. Kibbey's solo performances have been broadcast on NPR's Performance Today, New York's WQXR, WNYC's Soundcheck, WETA’s Front Row Washington, WRTI’s Crossover, and on television in A&E's Breakfast with the Arts.
This season’s highlights include appearances as soloist at Toronto’s Koerner Hall, Dumbarton Oaks, Caramoor, Music@Menlo, Festival Napa Valley, the VIVO Festival, Saratoga PAC, Alice Tully Hall with Artists of the Chamber Music Society of Lincoln Center, as well as appearing as concerto soloist for 40,000 attendees at “Madison’s Concerts at the Capitol” premiering her own transcription of Rodrigo’s Concierto Aranjuez with the Wisconsin Chamber Orchestra. She presents a newly-commissioned concerto by Brazilian composer Joao Luiz Rezende, exploring the sounds of Carnaval on the harp, and tours projects of her own creation, merging her own solo transcriptions alongside powerful collaborations: The Sacred in the Profane, exploring French Masterworks of the Belle Époque alongside the famed Calidore String Quartet; and Leyenda, celebrating Nuevo Latino Voices alongside Latin-Grammy winning percussionist/composer Samuel Torres and acclaimed clarinetist Ismail Lumanovski.
Kibbey was the 2022/23 Artist in Focus at the Schubert Club in Minneapolis, Minnesota, bringing three programs of her own creation to the city, to great critical acclaim. She crafted a baroque program with violinist Alexi Kenney, a French program with Calidore Quartet, and a program tracking music of the Islamic Golden Era alongside Iranian Singer Mahsa Vahdat and percussionist John Hadfield. Over the last few seasons, Kibbey toured her own adaptations of keyboard Concerti and Sonatas of J.S. Bach with the Dover Quartet, and in duo with mandolinist Avi Avital. She has commissioned new harp concerti from Vivian Fung and João Luiz; and in 2026, launches performances of the Clarice Assad Harp Concerto with multiple orchestras.
Kibbey appears frequently as soloist and chamber musician at festivals and series across the globe, including Schloss Elmau, Pelotas Festival, Lincoln Center’s Mostly Mozart, La Jolla Music Society, International Festival d’Avesnois, Aspen, Bravo!Vail, Santa Fe, Spoleto, Big Ears Knoxville, Chamber Music Northwest, Bridgehampton, Savannah Music Festival, The Phillips Collection, Philadelphia Chamber Music Society, The Cliburn, and Music@Menlo, Chamber Music Columbus, Calgary Pro Musicis, Chattanooga’s String Theory, among others. Kibbey has appeared as concerto soloist with orchestras in the United States, Europe, South America, and Middle East.
