"One of the most riveting and unusual chamber music performances of my lifetime....a Yo-Yo Ma of the harp."

-Vogue Magazine, Senior Editor Corey Seymour

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"Kibbey and Hoopes conquered this late Romantic showpiece with fiery artistry and perfection of technique.”

-Seen and Heard International

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In its early 20th century concert outings, [Debussy’s] Danses elicited mixed receptions, but here, unabashedly an audience rave. Indeed, the necessary kinetics made Kibbey’s performance seem like a dance in itself.

-The Boston Musical Intelligencer

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"...As performance, it was pure punk rock."

-New York Music Daily

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"Harpist-slash-Rockstar Bridget Kibbey brought a haunting program to the catacombs, accompanied by a crack team of top-shelf string players. Together, they performed epic music that hovers in the shadows between darkness and light, from Debussy’s Sacred and Profane dances, to Bach’s haunting Toccata and Fugue in D Minor, to the grand finale: André Caplet’s gripping Conte Fantastique. After experiencing this show, we can tell you that the harp does not equal angelic!”

-New York Events
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"Yet it is Kibbey who treats us to all the possibilities of her harp, part piano, part orchestra, but in her hands, always an instrument of great mystery and beauty." "The audience was treated to another special evening, unexpected, thrilling and satisfying. This is what live classical music can be. Listening to Kibbey, the harp converts listeners.”

-Berkshire Fine Arts

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